about

I am drawn to moments of stillness – moments that allow me to stop and take a breath, that force the world to slow down.

These pauses for reflection are mirrored in the simple patterns and repetitions of everyday life, like a pleated skirt that shifts gently as it blows in the wind, the repeated lines of regular curves of a wrought iron fence, or the solemn, echoing phrases of a liturgical chant.

My process of metalworking through repetitive techniques to create layered, rhythmic and sometimes minimalist patterns, is a way to take time, be present, and give attention to the ritualistic elements of life. Stitching into sheet metal, similarly to how you would in fabric, is a process I employ frequently. It’s one of many time-intensive techniques that can create a visual path allowing the viewer to follow the hand of the maker. Forming and connecting hundreds of individually made rings is another highly repetitive, meditative process that requires a great deal of attention. The slow rhythm of the repeated gestures used to make each component is reflected in the visual rhythms of the pieces themselves.

I am always looking to translate the effect of daily observations and rituals into my work, and believe jewelry is a perfect medium to communicate them in a personal, contemplative way: it is distinctive and intimate, a constant companion to the wearer. I hope my work embodies a positive, meditative state of mind and gives the viewer a central grounding point and room to breathe.

my statement

Tyler School Of art And Architecture, BFA

Room to breathe, Solo show, stella elkins gallery 2026

Graduate Exhibition, group show, Baltimore Jewelry Center, 2026

Education and Exhibitions